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October 9, 2011

“Put the Needle on the Record” by Matthew Chojnacki

From 1976 to 1983 I had the privilege of being a member of the Boston pop-punk band The Atlantics. We enjoyed regional success and released one national LP, “Big City Rock,” on ABC Records. But our biggest hit was our own indy 45 RPM single, “Lonelyhearts” b/w “Can’t Wait Forever,” which we released in 1980.

We’re honored to have the “Lonelyhearts” single cover included in a wonderful new book by Matthew Chojnacki – “Put the Needle on the Record.” It’s a collection of over 250 single covers by artists ranging from The Ramones to Pat Benatar to Run-D.M.C. The covers are accompanied by comments from the artists; our lead guitarist, Fred Pineau, whose memory is perhaps less impaired than other members of the band, offers his reflections on the night the cover photos were taken in NYC by Stu Chernoff. The “Lonelyhearts” cover was designed by Tibor Kalman, who had recently started M&Co, which became a leading design firm. When we first met with Tibor, he had several other ideas for the cover; one of them was to cover the sleeve with sandpaper (the rough side out!). We and our manager, Fred Munao, thought this was a cool idea but it would not endear us to record retailers or radio stations. The cover concept that we went with – the rows of tiny photos of members of the band – was an instant hit, and luckily the song was too.

 

July 2, 2010

Why I Wrote “Pistonhead” by Thomas Hauck

Recently, Josette from “Books Love Me” posted a review of “Pistonhead” and she asked me to write a guest blog for her website. Here it is. You can see the blog and Josette’s review here:

http://www.booksloveme.com/

In writing “Pistonhead,” I had several goals that I wanted to accomplish. I hope that I have succeeded. Here is a brief review of what I hope readers will take away from the book.

Having spent fifteen years in the music industry as a rock musician, I wanted to give readers a glimpse into the everyday life of a struggling artist. Charlie Sinclair is not a superstar who travels to stadium gigs in a private jet; he holds down a day job and can barely pay his bills. Pistonhead (the band) have released several CDs but are still playing the club circuit around Boston, Massachusetts.

The book opens on a Thursday night and Pistonhead are playing a gig at the Big Ditch Club in Boston. Unfortunately, it is almost show time and the band’s drug-addicted lead singer, Rip, is nowhere to be found. In the nick of time he shows up and the band tries to win over an unruly audience. After the show, at three in the morning, Charlie returns to his mouse-infested apartment. But there is little time to rest; four hours later he has to get up to go to work at Evergreen Software, where he is a supervisor on an assembly line.

This is the life that I wanted to show – a grueling life shared by many creative people (writers, actors, musicians, artists) all over America. I wanted to illustrate that the creative life of songwriting and playing gigs is not that much different from working on an assembly line. Songs must be written and rehearsed and recorded; quality must be maintained; inferior products must be abandoned. The marketplace rules.

The deeper theme of the book is this: how do you define success? Charlie and his bandmates assume that success is measured by how many CDs you sell or how many people attend your concerts or how many groupies you attract. But when tragedy strikes and the fate of Pistonhead hangs in the balance, Charlie has to decide what really matters to him. Is it creativity, or is it material success? With the help of his new love interest (a young woman who is decidedly not a groupie), Charlie is able to take a big step forward in his life.

Many people ask me if “Pistonhead” is autobiographical. I will only say that about two-thirds of the scenes and events in the book are absolutely real. I won’t say which two-thirds. But I will testify that the very talented lead singers in the bands I worked with were not like Rip – they were totally professional and were never late for a show. I will also say that the Mass Rehab characters and scenes in the Evergreen Software factory are one hundred percent authentic – even the guy who thought that he was possessed by Satan. That particular scene happened exactly as written.

My newest novel is “Lucas Manson,” a horror thriller. When FBI Special Agent Mark Dylan investigates a brutal double homicide, he enters the mysterious world of the Kingdom Seven Family Temple, a growing cult headed by the charismatic millionaire Minister Lucas Manson. As Dylan and his partner Jill Kelly probe deeper into the hidden world of the temple and its sinister practices, they are forced to question their own identities, and soon they learn that friends cannot be distinguished from enemies – and that their lives will change forever. It’s available both in paperback and as an e-book.

Thomas A. Hauck

Author