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July 3, 2010

“Pistonhead” Review by the Kari AnnAlysis

Filed under: Pistonhead — Tags: , , — Thomas Hauck @ 3:45 pm

Thanks to Kari for a nice review of “Pistonhead” on her blog “The Kari AnnAlysis”:

http://kariannalysis.com/

It’s encouraging that over a year after publication the positive reviews keep coming!

July 2, 2010

Why I Wrote “Pistonhead” by Thomas Hauck

Recently, Josette from “Books Love Me” posted a review of “Pistonhead” and she asked me to write a guest blog for her website. Here it is. You can see the blog and Josette’s review here:

http://www.booksloveme.com/

In writing “Pistonhead,” I had several goals that I wanted to accomplish. I hope that I have succeeded. Here is a brief review of what I hope readers will take away from the book.

Having spent fifteen years in the music industry as a rock musician, I wanted to give readers a glimpse into the everyday life of a struggling artist. Charlie Sinclair is not a superstar who travels to stadium gigs in a private jet; he holds down a day job and can barely pay his bills. Pistonhead (the band) have released several CDs but are still playing the club circuit around Boston, Massachusetts.

The book opens on a Thursday night and Pistonhead are playing a gig at the Big Ditch Club in Boston. Unfortunately, it is almost show time and the band’s drug-addicted lead singer, Rip, is nowhere to be found. In the nick of time he shows up and the band tries to win over an unruly audience. After the show, at three in the morning, Charlie returns to his mouse-infested apartment. But there is little time to rest; four hours later he has to get up to go to work at Evergreen Software, where he is a supervisor on an assembly line.

This is the life that I wanted to show – a grueling life shared by many creative people (writers, actors, musicians, artists) all over America. I wanted to illustrate that the creative life of songwriting and playing gigs is not that much different from working on an assembly line. Songs must be written and rehearsed and recorded; quality must be maintained; inferior products must be abandoned. The marketplace rules.

The deeper theme of the book is this: how do you define success? Charlie and his bandmates assume that success is measured by how many CDs you sell or how many people attend your concerts or how many groupies you attract. But when tragedy strikes and the fate of Pistonhead hangs in the balance, Charlie has to decide what really matters to him. Is it creativity, or is it material success? With the help of his new love interest (a young woman who is decidedly not a groupie), Charlie is able to take a big step forward in his life.

Many people ask me if “Pistonhead” is autobiographical. I will only say that about two-thirds of the scenes and events in the book are absolutely real. I won’t say which two-thirds. But I will testify that the very talented lead singers in the bands I worked with were not like Rip – they were totally professional and were never late for a show. I will also say that the Mass Rehab characters and scenes in the Evergreen Software factory are one hundred percent authentic – even the guy who thought that he was possessed by Satan. That particular scene happened exactly as written.

My newest novel is “Lucas Manson,” a horror thriller. When FBI Special Agent Mark Dylan investigates a brutal double homicide, he enters the mysterious world of the Kingdom Seven Family Temple, a growing cult headed by the charismatic millionaire Minister Lucas Manson. As Dylan and his partner Jill Kelly probe deeper into the hidden world of the temple and its sinister practices, they are forced to question their own identities, and soon they learn that friends cannot be distinguished from enemies – and that their lives will change forever. It’s available both in paperback and as an e-book.

Thomas A. Hauck

Author

June 14, 2010

“Pistonhead” Review in “The Potomac”

Filed under: Pistonhead — Tags: , , , , — Thomas Hauck @ 1:51 pm

My sincere thanks to Charles Rammelkamp for his review of “Pistonhead” in the summer 2010 issue of “The Potomac,” a journal of poetry and politics and book reviews. Charles, who in the interest of full disclosure also writes reviews for “Renaissance Magazine,” of which I’m the editor, provides insightful commentary and some useful criticism (useful criticism is always welcome!). I encourage everyone to check out “The Potomac” here:

http://thepotomacjournal.com/issue10/ArticlesReviews/Charles_Rammelkamp_1.html

Pistonhead